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・ Ján Geleta
・ Ján Gerthofer
・ Ján Golian
・ Ján Greguš
・ Ján Harbuľák
・ Ján Harniš
・ Ján Herkeľ
・ Ján Hirka
・ Ján Hollý
・ Ján Homer
・ Ján Hrbek
・ Ján Hucko
・ Ján Hudacký
・ Ján Hözl
・ Ján Jendek
Ján Kadár
・ Ján Kalous
・ Ján Kapko
・ Ján Kobezda
・ Ján Kocian
・ Ján Koehler
・ Ján Kollár
・ Ján Kozák
・ Ján Kozák (footballer, born 1954)
・ Ján Kozák (footballer, born 1980)
・ Ján Kožiak
・ Ján Kroner
・ Ján Krošlák
・ Ján Kubica
・ Ján Kubiš


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Ján Kadár : ウィキペディア英語版
Ján Kadár

Ján Kadár (1 April 1918 – 1 June 1979) was a Jewish Hungarian-born film writer and director. As a filmmaker, he worked in Slovakia, the Czech Republic, the United States, and Canada. Most of his films were directed in tandem with Elmar Klos. The two became best known for their Oscar-winning ''The Shop on Main Street'' (''Obchod na korze'', 1965). As a professor at the FAMU (Film and TV School of the Academy of Performing Arts)〔(FAMU )〕 in Prague, Kadár trained most of the directors who spawned the Czechoslovak New Wave in the 1960s.
After moving to the United States, he became professor of film direction at the American Film Institute in Beverly Hills. His personal life as well as his films encompassed and spanned a range of cultures: Jewish, Slovak, Hungarian, Czech, and American.
==Early years==
Kadár was born in Budapest, the Capital of the Kingdom of Hungary, a province of Austria-Hungary at that time. Before long, his parents brought him to Rožňava, Slovakia, in the newly created Czechoslovakia, where he grew up.〔(Ágnes Kovács, "Tábla a korzón." ''Új szó'', 22 Oct. 2005. )〕 Kadár took up the law in Bratislava after high school, but soon transferred to the first Department of Film in Czechoslovakia (probably the third such department in Europe) at the School of Industrial Arts in Bratislava〔(Martin Votruba, "Historical and Cultural Background of Slovak Filmmaking." )〕 in 1938 where he took classes with Slovak film's notable director Karel Plicka until the department was closed in 1939. Kadár's home town, called Rozsnyó in Hungarian then, became part of Hungary during World War II. With the application of anti-Jewish laws, Kádár was detained in a labor camp. He later said that it was for the first time in his life that he acted as a Jew: he refused conversion and served in a work unit with a yellow armband rather than a white one which was the privilege of those baptized.〔Barbara Pearce Johnson, et al. ''Dialogue on Film: Kadar Study Guide.'' 1979.〕

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